11 April 2007


Vol I / Issue viii ~ 11 April 2007


***


CONTENTS:

  1. April Town Meeting Minutes
  2. New Babbage's New Town Hall
  3. What Kind of Music is Steampunk?
  4. New Babbage Estate Managers
  5. Literary Corner
  6. Victorian Trifle Recipe
  7. Events and Announcements
  8. Classified Advertisements
  9. Resources
  10. New Babbage and Steampunk FAQ
  11. Contact, Circulation, and other Essential Information for the Reader

__________________________________________________________


APRIL TOWN MEETING


On Saturday, April 10th, a town meeting took place in the town hall building. Sixteen attended. Taking place over the space of one hour, the agenda covered several topics of import. The full meeting minutes are attached, but included below is a convenient list of the discussion points for reference:


-- The new Town Hall building

-- New Babbage's neutrality in the war

-- New Babbage's participation in SL Relay for Life

-- Canal District




New Babbage Town Hall Meeting Minutes



Date: Saturday, April 10, 2007

Chair: Mayor Shaunathan Sprocket

Meeting start: 1:00 pm SLT

Meeting end: 2:00 pm SLT


In attendance: Natacha Chernov, ArthurConan Doyle, Eggberta Echegaray, Intolerable Ginsburg, Junie Ginsburg, Kamilah Hauptmann, Salazar Jack, Ordinal Malaprop, Pers Merlin, Quine Mondrian, Suhpen Paravane, Miguel Pinion, Sigal Rau, Khashai Steinbeck, Pumpkin Tripsa, Moss Weyland


1. The Mayor announced the imminent completion of the new Town Hall.


2. The Mayor announced that in the SL Relay for Life "war" between Caledon and Neualtenburg, that New Babbage will remain neutral for trade purposes and that our industrialists may sell to either side equally. Mr. Pinion asked if New Babbage's "sister city" status with Neualtenburg was an indication that we had chosen sides. The Mayor assured us that New Babbage has secu

red treaties with both Caledon and Neualtenburg and that neither side will bring our city into the conflict.


3. There will be one SL Relay for Life donation kiosk placed in the Town Hall, and no others are to be rezzed in New Babbage because they violate our theme. Residents are free to use SLRFL vendors indoors to contribute funds via sales. In addition, anyone caught wearing a Caledon or Neualtenburg military uniform in New Babbage will be fined L$200, which will be payable to the SLRFL kiosk in the Town Hall.


4. The Mayor solicited volunteers to represent New Babbage in the SL Relay for Life. Miss Malaprop volunteered to do any necessary scripting. Mr. Ginsburg volunteered to act as representative if no one else was interested. The Mayor said he would solicit volunteers in the "makeup" Town Meeting to see if anyone who was not in attendance would come forward.


5. The canal district sim order is pending payments from those who are buying parcels. Once the money has been raised, the sim will be purchased. Mr. Paravane inquired about parcel rates. The Mayor responded that like Babbage Square, the price is L$8 per meter plus 4 weeks rent in advance to purchase a plot. He also said that the canal district will be surrounded on three sides by void ocean sims. Beaches will not be allowed for permanent waterfront plots, but seawalls will be constructed.

The Mayor announced that the canal district will have a roundhouse and train station, that our train will provide service to the stockyard here in Babbage Square, and that every sim will have a train station. Miss Malaprop suggested that a new contractor be secured for work on the transporation system. The canals in the canal district will occupy a great deal of space and hence public roads will be kept to a minimum. The Mayor requested that neighbors work together to provide street space for passage. Miss Hauptman asked about a ferryboat system, and the Mayor responded that the canals will provide ample opportunity for private travel and that a public water transport system will not be constructed. Mr. Pinion commented that he would like to see a small map of the new sim. The Mayor said he would work to make one available by next weekend, but that in the meantime, the large map under the Town Hall is available.


6. The Mayor welcomed Miss Kamilah Hauptman to New Babbage.


7. Mr. Ginsburg asked about the patches of uneven ground that have be

en showing up in Babbage Square. The Mayor said he is looking into it and t

hat it possibly is the result of some resurfacing work that occured on the upper level.


8. Mr. Pinion requested light rain and pigeons. Several other residents expressed an interest, and the Mayor said that he would work on it.


-- end --


Compiled by Mrs. Junie Ginsburg


***

NEW BABBAGE'S NEW TOWN HALL


New Babbage residents and visitors who attended Saturday’s monthly community meeting were surprised and delighted to have had it conducted in the new Town Hall building!



Since the destruction of the old Town Hall, residents and regular visitors to New Babbage have been eagerly anticipating when the new building would be completed, and finally, it is here! Upon asking the Mayor where he got the inspiration for the design for the new building, he commented that it was a mixture of concepts. The great Crystal Palace building which was made for London’s 1851 Worlds Fair, the Tower of London, and a hint of Jules Verne’s fictional Steampunk vision all had a part with creating the new look.



Although the new building is a lot smaller than the old town hall, its open concept design is most exhilarating. When standing in the center of the building where the speaking podium is hosted, facing north, three open platforms have been erected, which accommodate comfortable seating. Steam hoists will be added later, to transport folks up or down to each level.



Looking South, New Babbage residents will find that the rental payment board has been placed out. Greenish blue hued factory glass is predominantly featured throughout the building from the rooftop to the east and west doorway entrances to --by Jove!-- a glass floor!



Timidly walking across the glass floor, I wanted to brace myself in case I would fall through! Mayor Sprocket assured me that the glass is tempered, thick and very strong. Once getting over my fear from thinking I may fall through, gingerly looking down, I couldn’t help but notice that the city’s underground lair is exposed, and was delighted to see the return of Babbage’s Difference Engine!



Mayor Sprocket mentioned that access to view the engine more up close and personal, can be made through the canal entrance in the Commercial District, which runs directly underneath the Town Hall.


For the time being, the engine is lying dormant, but according to the Mayor, it is just a matter of time before the engine will be roused up and it will then be certain that steam surely does power the grid!


Eggberta Echegaray



* * *


Tired of checking the newspaper box for a new issue of the Cog? Join the New Babbage Cog group and receive new issues as soon as they come out!


* * *


WHAT KIND OF MUSIC IS "STEAMPUNK?"


"Sometimes progress means turning around when you have been on the wrong path and going back to the point where you made a wrong turn." -- C.S. Lewis




Since setting up my parcels in Babbage Square, this reporter has struggled to determine what kind of music would be most fittingly "steampunk" for parcel streaming media. Classical music is wonderful, and is at least appropriate for the Victorian aspect of steampunk, but it doesn't quite capture the grittness of the Industrial Revolution. Modern music by artists who seem to have a steampunk bent doesn't really seem to capture it for me either. Is it music that has been associated with steampunk-themed films? Is it music created during the late 19th century? Is it music produced on strange and wonderful mechanical instruments? What kind of music could really be considered "steampunk?" I spoke to a few New Babbage residents to solicit their opinions on the subject. " I think that any time you embrace older and fogotten technology you are acting in the spirit of Steampunk," said resident, Mr. Miguel Pinion. "Even if it doesn't go all the way back to 1888." I recognized in Mr. Pinion's statement the fact that turning back to the primitive --but remarkable-- machines on which music was preserved and played back, could have a powerful impact on listeners. Edison's phonograph made it possible to record some of the music that could be considered "authentically" steampunk. His invention was announced at the end of 1877, placing it squarely within the Victorian era. Mr. Pinion agreed. "It seems to be all about invention, and the edges of technology....a time when electricity was tantamount to wizardry."



The Mayor of New Babbage, Mr. Shaunathan Sprocket, shared his opinion on the subject as well. His perspective was a bit different, emphasizing the musical element of the modern steampunk movement. To him, steampunk music is about a confluence of forms, combining the new with the old. Musical artists and groups such as Emilie Autumn, Abney Park, and Vernian Process project a non-formulaic incoporation of ideas along with a visual aesthetic that conveys "steampunk." For Mr. Pinion as well, the visual aspect of musical performance was a contributing factor. Ultimately, however, Mr. Sprocket stressed that perspective plays an enormous role in what listeners could consider "steampunk." When referring to Abney Park, he said, "It's not like they talk about airships and the like...but rather circumstances appreciated by a steampunk." In addition to the context in which music is placed by the listener, there is an absolute quality embedded in the music itself: "I'm a steampunk," says Mr. Sprocket. "I make music. Ergo my music is steampunk because it came from me." Does any of this bring us closer to an answer? From this writer's perspective, it seems that as all art, music ("steampunk " in particular) is appreciated based on the intent of the artist, the context in which it is conveyed and the perspective of the audience. As such, the answer is not satisfying. Steampunk music is music that you appreciate as steampunk. A quick look at some steampunk forums on the Aethernet will support this sentiment, with everything from Abney Park to Peter Gabriel to Meat Loaf being cited as music appreciated by steampunks. I continue to ponder the music that will be streamed from my parcel.


Junie Ginsburg

* * *

NEW BABBAGE ESTATE MANAGERS


A griefer is at your doorstep. There is a pot-hole the size of India in the middle of the street. The Mayor is not online. Who do you contact? For your convenience, The New Babbage Cog has compiled a list of the New Babbage estate managers who can assist with sim administration in Mayor Sprocket's absence:


Charlene Trudeau

Eggberta Echegaray

Ferran Brodsky

Khashai Steinbeck

Ordinal Malaprop

Reitsuki Kojima


Please contact one of these kind folks if there is an urgent need for assistance in New Babbage.


***


LITERARY CORNER


In this issue, The New Babbage Cog presents Chapter 7 of Sir Arthur Conan Doyle's "The Sign of The Four."


THE SIGN OF FOUR

by Sir ArthurConan Doyle

Chapter 7

THE EPISODE OF THE BARREL


THE police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was someone weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint and then burst into a passion of weeping--so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes's researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was nearly two o'clock when we reached Mrs. Cecil Forrester's. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other's waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant but an honoured friend.



I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step--the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent, gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter--we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan's baggage, the strange scene at Major Sholto's death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan's chart--here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue.



Pinchin Lane was a row of shabby, two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make any impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabond," said the face. "If you kick up any more row, I'll open the kennels and let out forty-three dogs upon you." "If you'll let one out, it's just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in this bag, and I'll drop it on your 'ead if you don't hook it!" "But I want a dog," I cried. "I won't be argued with!" shouted Mr. Sherman. "Now stand clear; for when I say 'three,' down goes the wiper." "Mr. Sherlock Holmes-- --" I began; but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger, for he bites. Ah, naughty, naughty; would you take a nip at the gentleman?"


This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don't mind that, sir; it's only a slowworm. It hain't got no fangs, so I gives it the run o' the room, for it keeps the beetles down. You must not mind my bein' just a little short wi' you at first, for I'm guyed at by the children, and there's many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown and white in colour, with a very clumsy, waddling gait. It accepted, after some hesitation, a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me to pass with the dog on my mentioning the detective's name. Holmes was standing on the doorstep with his hands in his pockets, smoking his pipe. "Ah, you have him there!" said he. "Good dog, then! Athelney Jones has gone. We have had an immense display of energy since you left. He has arrested not only friend Thaddeus but the gatekeeper, the housekeeper, and the Indian servant. We have the place to ourselves but for a sergeant upstairs. Leave the dog here and come up."



We tied Toby to the hall table and reascended the stairs. The room was as we had left it, save that a sheet had been draped over the central figure. A weary-looking police-sergeant reclined in the corner.

"Lend me your bull's eye, Sergeant," said my companion. "Now tie this bit of card round my neck, so as to hang it in front of me. Thank you. Now I must kick off my boots and stockings. Just you carry them down with you, Watson. I am going to do a little climbing. And dip my handkerchief into the creosote. That will do. Now come up into the garret with me for a moment." We clambered up through the hole. Holmes turned his light once more upon the footsteps in the dust. "I wish you particularly to notice these footmarks," he said. "Do you observe anything noteworthy about them?" "They belong," I said, "to a child or a small woman." "Apart from their size, though. Is there nothing else?" "They appear to be much as other footmarks." "Not at all. Look here! This is the print of a right foot in the dust. Now I make one with my naked foot beside it. What is the chief difference?" "Your toes are all cramped together. The other print has each toe distinctly divided." "Quite so. That is the point. Bear that in mind. Now, would you kindly step over to that flap-window and smell the edge of the woodwork? I shall stay over here, as I have this handkerchief in my hand." I did as he directed and was instantly conscious of a strong tarry smell. "That is where he put his foot in getting out. If you can trace him, I should think that Toby will have no difficulty. Now run downstairs, loose the dog, and look out for Blondin." By the time that I got out into the grounds Sherlock Holmes was on the roof, and I could see him like an enormous glow-worm crawling very slowly along the ridge. I lost sight of him behind a stack of chimneys, but he presently reappeared and then vanished once more upon the opposite side. When I made my way round there I found him seated at one of the corner eaves.


"That you, Watson?" he cried. "Yes." "This is the place. What is that black thing down there?"

"A water-barrel." "Top on it?" "Yes." "No sign of a ladder?" "No." "Confound the fellow! It's a most breakneck place. I ought to be able to come down where he could climb up. The water-pipe feels pretty firm. Here goes, anyhow." There was a scuffling of feet, and the lantern began to come steadily down the side of the wall. Then with a light spring he came on to the barrel, and from there to the earth.

"It was easy to follow him," he said, drawing on his stockings and boots. "Tiles were loosened the whole way along, and in his hurry he had dropped this. It confirms my diagnosis, as you doctors express it." The object which he held up to me was a small pocket or pouch woven out of coloured grasses and with a few tawdry beads strung round it. In shape and size it was not unlike a cigarette-case. Inside were half a dozen spines of dark wood, sharp at one end and rounded at the other, like that which had struck Bartholomew Sholto. "They are hellish things," said he. "Look out that you don't prick yourself. I'm delighted to have them, for the chances are that they are all he has. There is the less fear of you or me finding one in our skin before long. I would sooner face a Martini bullet, myself. Are you game for a six-mile trudge, Watson?" "Certainly," I answered. "Your leg will stand it?" "Oh, yes." "Here you are, doggy! Good old Toby! Smell it, Toby, smell it!" He pushed the creosote handkerchief under the dog's nose, while the creature stood with its fluffy legs separated, and with a most comical cock to its head, like a connoisseur sniffing the bouquet of a famous vintage. Holmes then threw the handkerchief to a distance, fastened a stout cord to the mongrel's collar, and led him to the foot of the water-barrel.


The creature instantly broke into a succession of high, tremulous yelps and, with his nose on the ground and his tail in the air, pattered off upon the trail at a pace which strained his leash and kept us at the top of our speed. The east had been gradually whitening, and we could now see some distance in the cold gray light. The square, massive house, with its black, empty windows and high, bare walls, towered up, sad and forlorn, behind us. Our course led right across the grounds, in and out among the trenches and pits with which they were scarred and intersected. The whole place, with its scattered dirt-heaps and ill-grown shrubs, had a blighted, ill-omened look which harmonized with the black tragedy which hung over it. On reaching the boundary wall Toby ran along, whining eagerly, underneath its shadow, and stopped finally in a corner screened by a young beech. Where the two walls joined, several bricks had been loosened, and the crevices left were worn down and rounded upon the lower side, as though they had frequently been used as a ladder. Holmes clambered up, and taking the dog from me he dropped it over upon the other side. "There's the print of Wooden-leg's hand," he remarked as I mounted up beside him. "You see the slight smudge of blood upon the white plaster. What a lucky thing it is that we have had no very heavy rain since yesterday! The scent will lie upon the road in spite of their eight-and-twenty hours' start." I confess that I had my doubts myself when I reflected upon the great traffic which had passed along the London road in the interval. My fears were soon appeased, however. Toby never hesitated or swerved but waddled on in his peculiar rolling fashion. Clearly the pungent smell of the creosote rose high above all other contending scents.



"Do not imagine," said Holmes, "that I depend for my success in this case upon the mere chance of one of these fellows having put his foot in the chemical. I have knowledge now which would enable me to trace them in many different ways. This, however, is the readiest, and, since fortune has put it into our hands, I should be culpable if I neglected it. It has, however, prevented the case from becoming the pretty little intellectual problem which it at one time promised to be. There might have been some credit to be gained out of it but for this too palpable clue." "There is credit, and to spare," said I. "I assure you, Holmes, that I marvel at the means by which you obtain your results in this case even more than I did in the Jefferson Hope murder. The thing seems to me to be deeper and more inexplicable. How, for example, could you describe with such confidence the wooden-legged man?" "Pshaw, my dear boy! it was simplicity itself. I don't wish to be theatrical. It is all patent and above-board. Two officers who are in command of a convict-guard learn an important secret as to buried treasure. A map is drawn for them by an Englishman named Jonathan Small. You remember that we saw the name upon the chart in Captain Morstan's possession. He had signed it in behalf of himself and his associates--the sign of the four, as he somewhat dramatically called it. Aided by this chart, the officers--or one of them--gets the treasure and brings it to England, leaving, we will suppose, some condition under which he received it unfulfilled. Now, then, why did not Jonathan Small get the treasure himself? The answer is obvious. The chart is dated at a time when Morstan was brought into close association with convicts. Jonathan Small did not get the treasure because he and his associates were themselves convicts and could not get away." "But this is mere speculation," said I. "It is more than that. It is the only hypothesis w

hich covers the facts. Let us see how it fits in with the sequel. Major Sholto remains at peace for some years, happy in the possession of his treasure. Then he receives a letter from India which gives him a great fright. What was that?"



"A letter to say that the men whom he had wronged had been set free." "Or had escaped. That is much more likely, for he would have known what their term of imprisonment was. It would not have been a surprise to him. What does he do then? He guards himself against a wooden-legged man--a white man, mark you, for he mistakes a white tradesman for him and actually fires a pistol at him. Now, only one white man's name is on the chart. The others are Hindoos or Mohammedans. There is no other white man. Therefore we may say with confidence that the wooden-legged man is identical with Jonathan Small. Does the reasoning strike you as being faulty?" "No: it is clear and concise." "Well, now, let us put ourselves in the place of Jonathan Small. Let us look at it from his point of view. He comes to England with the double idea of regaining what he would consider to be his rights and of having his revenge upon the man who had wronged him. He found out where Sholto lived, and very possibly he established communications with someone inside the house. There is this butler, Lal Rao, whom we have not seen. Mrs. Bernstone gives him far from a good character. Small could not find out, however, where the treasure was hid, for no one ever knew save the major and one faithful servant who had died. Suddenly Small learns that the major is on his deathbed. In a frenzy lest the secret of the treasure die with him, he runs the gauntlet of the guards, makes his way to the dying man's window, and is only deterred from entering by the presence of his two sons. Mad with hate, however, against the dead man, he enters the room that night, searches his private papers in the hope of discovering some memorandum relating to the treasure, and finally leaves a memento of his visit in the short inscription upon the card.


He had doubtless planned beforehand that, should he slay the major, he would leave some such record upon the body as a sign that it was not a common murder but, from the point of view of the four associates, something in the nature of an act of justice. Whimsical and bizarre conceits of this kind are common enough in the annals of crime and usually afford valuable indications as to the criminal. Do you follow all this?" "Very clearly." "Now what could Jonathan small do? He could only continue to keep a secret watch upon the efforts made to find the treasure. Possibly he leaves England and only comes back at intervals. Then comes the discovery of the garret, and he is instantly informed of it. We again trace the presence of some confederate in the household. Jonathan, with his wooden leg, is utterly unable to reach the lofty room of Bartholomew Sholto. He takes with him, however, a rather curious associate, who gets over this difficulty but dips his naked foot into creosote, whence come Toby, and a six-mile limp for a half-pay officer with a damaged tendo Achillis." "But it was the associate and not Jonathan who committed the crime." "Quite so. And rather to Jonathan's disgust, to judge by the way he stamped about when he got into the room. He bore no grudge against Bartholomew Sholto and would have preferred if he could have been simply bound and gagged. He did not wish to put his head in a halter. There was no help for it, however: the savage instincts of his companion had broken out, and the poison had done its work: so Jonathan Small left his record, lowered the treasure-box to the ground, and followed it himself. That was the train of events as far as I can decipher them. Of course, as to his personal appearance, he must be middle-aged and must be sunburned after serving his time in such an oven as the Andamans. His height is readily calculated from the length of his stride, and we know that he was bearded. His hairiness was the one point which impressed itself upon Thaddeus Sholto when he saw him at the window. I don't know that there is anything else."



"The associate?" "Ah, well, there is no great mystery in that. But you will know all about it soon enough. How sweet the morning air is! See how that one little cloud floats like a pink feather from some gigantic flamingo. Now the red rim of the sun pushes itself over the London cloud-bank. It shines on a good many folk, but on none, I dare bet, who are on a stranger errand than you and I. How small we feel with our petty ambitions and strivings in the presence of the great elemental forces of Nature! Are you well up in your Jean Paul?""Fairly so. I worked back to him through Carlyle." "That was like following the brook to the parent lake. He makes one curious but profound remark. It is that the chief proof of man's real greatness lies in his perception of his own smallness. It argues, you see, a power of comparison and of appreciation which is in itself a proof of nobility. There is much food for thought in Richter. You have not a pistol, have you?" "I have my stick." "It is just possible that we may need something of the sort if we get to their lair. Jonathan I shall leave to you, but if the other turns nasty I shall shoot him dead." He took out his revolver as he spoke, and, having loaded two of the chambers, he put it back into the right-hand pocket of his jacket. We had during this time been following the guidance of Toby down the half-rural villa-lined roads which lead to the metropolis. Now, however, we were beginning to come among continuous streets, where labourers and dockmen were already astir, and slatternly women were taking down shutters and brushing door-steps. At the square-topped corner public-houses business was just beginning, and rough-looking men were emerging, rubbing their sleeves across their beards after their morning wet. Strange dogs sauntered up and stared wonderingly at us as we passed, but our inimitable Toby looked neither to the right nor to the left but trotted onward with his nose to the ground and an occasional eager whine which spoke of a hot scent. We had traversed Streatham, Brixton, Camberwell, and now found ourselves in Kennington Lane, having borne away through the side streets to the east of the Oval.



The men whom we pursued seemed to have taken a curiously zigzag road, with the idea probably of escaping observation. They had never kept to the main road if a parallel side street would serve their turn. At the foot of Kennington Lane they had edged away to the left through Bond Street and Miles Street. Where the latter street turns into Knight's Place, Toby ceased to advance but began to run backward and forward with one ear cocked and the other drooping, the very picture of canine indecision. Then he waddled round in circles, looking up to us from time to time, as if to ask for sympathy in his embarrassment. "What the deuce is the matter with the dog?" growled Holmes. "They surely would not take a cab or go off in a balloon." "Perhaps they stood here for some time," I suggested. "Ah! it's all right. He's off again," said my companion in a tone of relief. He was indeed off, for after sniffing round again he suddenly made up his mind and darted away with an energy and determination such as he had not yet shown. The scent appeared to be much h

otter than before, for he had not even to put his nose on the ground but tugged at his leash and tried to break into a run. I could see by the gleam in Holmes's eyes that he thought we were nearing the end of our journey. Our course now ran down Nine Elms until we came to Broderick and Nelson's large timber-yard just past the White Eagle tavern. Here the dog, frantic with excitement, turned down through the side gate into the enclosure, where the sawyers were already at work. On the dog raced through sawdust and shavings, down an alley, round a passage, between two wood-piles, and finally, with a triumphant yelp, sprang upon a large barrel which still stood upon the hand-trolley on which it had been brought. With lolling tongue and blinking eyes Toby stood upon the cask, looking from one to the other of us for some sign of appreciation. The staves of the barrel and the wheels of the trolley were smeared with a dark liquid, and the whole air was heavy with the smell of creosote. Sherlock Holmes and I looked blankly at each other and then burst simultaneously into an uncontrollable fit of laughter.


***

VICTORIAN TRIFLE RECIPE


A gastronomical delight!



Ingredients:

Ladyfingers or pound cake

Brandy and rum (optional)

Raspberry jam

Fruit cocktail, drained

Vanilla pudding

Whipped cream

Sliced almonds

Fresh or frozen raspberries

1 tbsp. butter


Directions:

Line bottom and sides of attractive glass bowl with ladyfingers or thinly sliced pound cake. Drizzle modest amount of brandy and rum over bottom. Slather bottom with raspberry jam. Add drained fruit cocktail over the jam. Add vanilla pudding over the fruit; the more, the tastier. Top with whipped cream, almonds sauteed in butter, and raspberries; chill and refrigerate. Keeps 2 or 3 days only.

A fancy trifle. Looks gorgeous, tastes heavenly.


http://www.cooks.com/rec/view/0,1613,151175-254192,00.html


Junie Ginsburg


***


EVENTS & ANNOUNCEMENTS


* * *


Your announcement could be placed here!


* * *



CLASSIFIED ADVERTISEMENTS


* * *


Would like to do add depth to your character? Would like to have interesting ancestors? Would you like to be sure about your family's history? Well then- look no further! "Your Second Genealogy” will CREATE your own genealogy and background history based on your choice.


We offer:


-An elaborate genealogical tree in different shapes and sizes -A multitude of names, dates and pictures (historically and geographically coherent) -A background story of your family based on your preferences or absolutely phantasmagorical!


For further information please contact Mr. Sigal Rau (via IM).


Geneology Example



* * *


PLANETARY GRAVITATOR now available at I.J. Ginsburg Dept. Store. A device which levitates model planets between two powerful magnets, and gives the owner menu-driven control over which heavenly body to display. Accurate planetary surface textures. Copy / mod, the Gravitator can be resized anywhere from a small desktop novelty to a room-sized scientific display. Only 30 prims, for an affordable L$250.

* * *


RESOURCES


For anyone interested in exploring some of the steampunk musical references made in this issue of The Cog, please visit the following Aethernet sites:


Abney Park:

http://www.abneypark.com/


Emilie Autumn:

http://www.emilieautumn.com/


Vernian Process:

http://www.post-punk.com/vernianprocess.html


Antique Phonograph Music Program:

http://wfmu.org/playlists/AP


Thomas Edison's Attic:

http://wfmu.org/playlists/te


Cylinder Preservation and Digitization Project:

http://cylinders.library.ucsb.edu/



***


NEW BABBAGE AND STEAMPUNK FAQ


Q. What is New Babbage?


A. New Babbage is a planned group of themed sims designed to promote a steampunk aesthetic.

------------------------

Q. What is Babbage Square?


A. The first, and to date the only, of the planned New Babbage sims is Babbage Square. New Babbage can be thought of as the "city," while Babbage Square is its first "region."

------------------------

Q. What is "steampunk?"


A. Steampunk is a genre of speculative fiction, usually science fiction, that explores the question of how past eras, particularly the Victorian period, would have looked if more modern technology had existed usingonly the tools at theirdisposal. Thus the steampunk aesthetic often makes use of wood, brass, iron, and steam-powered engines to construct fantastic machines that never were.


Please see the steampunk Wikipedia entry:


http://en.wikipedia.org/wiki/Steampunk


------------------------

Q. Is New Babbage for role-players?


A. New Babbage is for anyone interested in steampunk ideas. Although many residents dress and role-play the part, all are welcome to participate in the activities here (period attire not required), and are encouraged to explore the technology made available to us in SL New Babbagers are builders, scripters, and texture artists, curious and experimental by nature, come together to invent, create, and commune.


____________________________________________________________


CONTACT, CIRCULATION, AND OTHER ESSENTIAL

INFORMATION FOR THE READER


Editor in Chief: Mrs. Junie Ginsburg

Asst Editor: Miss Eggberta Echegaray

***

Ethics Statement:


THIS IS A COMMUNITY NEWSPAPER, NOT A VEHICLE FOR EXPOSE. All reporters for The New Babbage Cog are obligated to inform potential interviewees when they are gathering data for a report on our behalf, or clearly identify themselves as a TNBC journalist. This is a community paper, not a vehicle for expose; all investigative reporting must be above-the-board. Deception is against the intended spirit of community embraced by this paper and will not be tolerated. If a citizen encounters an aggressive reporter claiming to work on behalf of The New Babbage Cog, they are urged to report same to the Editor.


Contact:

Visit us:


The New Babbage Cog office is located at #4 Babbage Square, across the street from I.J. Ginsburg Dept. Store (Sanger Park).


-- Drop a notecard:


Notecard communications can be dropped in the postbox outside the Cog office at the address above.


-- IM:


You may contact Mrs. Junie Ginsburg or Miss Eggberta Echegaray by IM with any newspaper business.


-- Aethernet mail:


Messages sent to newbabbage@gmail.com will be fielded or redirected as necessary by Miss Eggberta Echegaray.


Circulation:


The New Babbage Cog is circulated in three ways:


1. new issues are sent automatically to subscribers of the New

Babbage Cog group.


2. Issues are available from a paperboxes at the following locations:

-- Babbage Square telehub


-- Willow Tea Room

-- Undershaw Restoration Society

-- Sanger Park, outside of I.J. Ginsburg Dept. Store


3. A reading copy of the current issue is always available at the newspaper office at #4 Babbage Square.


Back Issues:


All back issues of The New Babbage Cog will be available free of charge. They can be found in the archive on the first floor of the newspaper office.


Submissions:


Volunteer freelance and column writers are welcome to propose stories. The New Babbage Cog also welcomes news tips, reports, and story ideas from interested parties. Please see our contact information above.


Advertising:


Advertising should be germane to subjects of greatest import to residents of New Babbage. Although our sensibilities are quite modern and liberal, The New Babbage Cog reserves the right to determine an ad's fitness for inclusion based on its pertinence to steampunk, Victoriana, retrotech, industry, anachronism, and other related concepts.


Advertising is L$50 to New Babbage citizens and L$100 for out-of-towners, per listing, per issue. For both residents and non-residents, space is limited to 500 characters per listing. Each ad may include one embedded texture and one landmark. File attachments must be delivered at the time of ad reservation. Please see our contact information above to inquire.


Errata:


[There are no errors known to be in need of correction at this time. The New Babbage Cog is obliged to anyone who sends notification of a mistake, so that rectifications might be swiftly published.]


Copyright Disclaimer:


The Second Life in world note card publication date, of this issue of The New Babbage Cog, and it's intellectual property, are owned by the contributors to the newspaper.


Copyright 2007 of the Common Era

The New Babbage Cog

~~ Relata Refero ~~